Buffy #59

Buffy the Vampire Slayer #59
Buffy the Vampire Slayer #59
Slayer, Interrupted (Part 4 of 4), Act 4

Script: Scott Lobdell & Fabian Nicieza
Pencills: Cliff Richards
Inks: Will Conrad
Colors: Dave McCaig
Letters: Clem Robins
Cover: Brian Horton & Paul Lee

The story takes place before Buffy the Vampire Slayer's first season

Jeremy's Brief Synopsis:Rakagore
    After being placed in an institution at the request of her parents, Buffy encounters the demon, Rakagore -- who feasts on the tormented souls of girls at the rehabilitation facility. Vanquishing the demon and released from the institute, Buffy finally accepts the reality (and absurdity) of her duties as a Slayer. Bt whether she still wants to the job has yet to be revealed...

Zinna's Review:
    Finally, we have part 4 of the Slayer, Interrupted series, a satisfying ending to a literal psychological thriller.
    In the preceding issues, Buffy's parents decide that she has lost her mind and feel they have no choice but to commit her to a mental institution&emdash;a story arc obviously inspired by the season 6 episode entitled "Normal Again", but you knew that already. In the last issue in particular, Buffy discovers that the so-called brides of the demon, Rakagore, she previously dismissed as crazy aren't so crazy after all. Well, they may be crazy to marry a demon but at least the demon exists, finally answering for Buffy what she knew deep down all along&emdash;she is the slayer, vampires and demons are real, none of it was dream, and not even this trip to mental institution exempts her from slayer duties, but you probably knew that already too (c'mon you at least had a hunch).
    Something else you probably could have figured is Buffy shows down with Rakagore and seeing as how she makes to Sunnydale in one piece, you know she is triumphant. So, you want me to tell you something you don't know? Rakagore has a human identity and it's not Dr. Primrose… However, Dr. Primrose is pivotal to this issue. She is Buffy's guide, an acting watcher if you will. And if you've learned anything about watchers they've always got a second lesson up their sleeves.
    Considering the "Normal, Again" episode (the episode where the "trio" have a demon inject some serum into her arm which causes her to doze in and out parallel realities. In one reality she is the slayer and in the other she is in a mental institution. In the mental institution, she is told that her Sunnydale reality is a psychological construct that the only way to be normal again is to kill her sister and her friends), you are inclined to think this story arc will provide some more insights as to what that episode was all about. For many, the episode was a lot of like watching a fantastic fantasy film and then finding out at the end it was all dream. Of course, movies don't do this anymore because everyone hates that kind of ending. Every movie is a fantasy, even the ones based on true stories (look at the Perfect Storm). So, having that sort of ending just leaves people feeling like the film-makers are telling them something they already know&emdash;none of the protagonist's heroics are real. DUH! Another annoying aspect of a film with this kind of ending is it's ability to remind us that all those things we dream don't really count in the real world. Making our feelings of empathy for the protagonist's character less valid. In this sense, "Normal, Again" rattled many of viewer that cheered on the Scoobies year after year only to find they were in fact cheering on the figments of Buffy's imagination. And what's so wrong with that? Well, nothing if you don't mind the fact that Buffy is deemed certifiable, loony as a 'toon because she believes in this world that she created. Does this mean that we the viewers are a bit loony to give so much empathy to story that is completely off-the-wall crazy? Is this fear that little twinge that makes us to eager to believe the mental institution was just a hallucination, while at the same time being upset at the writers for making us have to decide in the first place? Only you can answer these questions for yourself (if these questions are even relevant for you), but if you were hoping to answer it with this issue, all I can say is…there are no easy answers. If you choose to believe than you should just commit to it because the writers aren't here to help you they here to provoke you, which is the brilliance of this kind of arc. You have to make up your mind for yourself. What the issue will answer for you is that this visit to loony bin did indeed happen for Buffy. So, you can safely understand that according to this issue, Buffy Anne Summers has been committed at least once. Whether or not she's still in that very institution, in a comatose state is well your call. Of course, you can easily note that theoretically, Buffy's parents decide to commit her because of Dawn's tattle telling. In "Normal Again" there is no Dawn. Dawn is a figment of Buffy's imagination. So, if you prescribe to that episode (Normal Again)'s logic then your mind continues to boggle at the possibility that this visit is a mere hallucination too.
    Hallucination or not, another aspect of this very provocative issue is brought up by Dr. Primrose. Now, I'm not going to say how or why Buffy draws this conclusion, but I will say that this issue hits the end of that spectrum of thought created by "Normal, Again" conundrum by insinuating that everything that Buffy does in predetermined. She ends up in the loony bin because it happens that she ended there most. She ends up in Sunnydale because it's a Hellmouth and every Hellmouth needs a good slayer, but if everything is already decided then the question becomes do the choices we make even matter? And if so, why does Buffy have to come to that conclusion on her own, why couldn't someone of the know clue her in a bit sooner? Unlike my "Normal, Again" questions these can be answered with the issue and I know you are dying to have to "serious thoughts" all day so run out and get the issue.
    Just so you know, I don't mention the overall art for a reason, but the cover is really nice. I would recommend getting the graphic cover as opposed to the photographic cover. There are a number of interesting action scenes and good close-ups of Buffy in a straight jacket. And as far as subplots go, you will get your Giles fix here. His subplot is wrapped up only to have another issue ripped open like an old wound. Enjoy!


Links

Comic Book Guide to Buffy
Comic Book Guide to Buffy

 

Tales of the Slayers
Tales of the Slayers

 

Joss Whedon's Fray
Joss Whedon's Fray

 

Comic Monster Guide
The Monster Guide

 

Hellmouth Central
Hellmouth Central


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